Traveling Exhibition 2017

Installation of The Great Canadian LEED-scape at Visual Arts Centre of Clarington

Installation of The Great Canadian LEED-scape at Visual Arts Centre of Clarington, 2017


 Five years in the making and spanning over 50 feet, this work explores the ongoing transformation of Canada’s natural and built environments.



May 9 – May 29
BMO Atrium at Evergreen Brick Works, Toronto, Ontario
Opening reception:  Saturday May 13th, 2pm
For event details and hours click here

June 4 – July 2
Visual Arts Centre of Clarington, Bowmanville, Ontario
Opening reception: Sunday June 4th, 2-4pm

July 6 – August 14
Maison du développement durable, Montreal, Quebec
Opening reception: Thursday July 6th, 12-2pm

November 2 – January 7 (2018)
THEMUSEUM, Kitchener, Ontario
Opening reception: Sunday November 5th, 1:30 – 3pm
For tickets: RSVP for free here


VAC_AS CoverShot

Publication to accompany my exhibition The Great Canadian LEEDscape at The Visual Arts Centre of Clarington, from June 4 – July 2 2017. Features a catalogue essay by curator Todd Tremeer. To read the full catalogue, click here.


Amy Shackleton Print
This special edition of wood prints features all 13 panels of The Great Canadian LEEDscape painting. You can purchase your favourite province/territory, create your own multi-panel piece, or collect the whole series. Click here to shop prints.


The Great Canadian LEEDscape
 consists of thirteen panels, one for each province and territory in Canada. The regions are positioned from west to east, according to the longitude of each capital city. Leading examples of sustainable architecture (LEED certified buildings) are combined with neighboring trees, mountains and waterways. In recognition of Canada’s sesquicentennial, this painting examines Canada’s changing urban landscape and suggests what the future could hold.

Using squeeze bottles filled with liquid paint, The Great Canadian LEEDscape was built from the ground up with hundreds of lines and dots. Shackleton manipulates where and how each drip will fall by working with gravity and spinning her canvases. As in real-life construction, the architectural details are calculated, measured and controlled in order to assure precise locations of each line. As in nature, the environmental elements are more spontaneous, unpredictable and liquid.

34,830km traveled. 9 flights. 1 train ride. 3 road trips.


“This is the most ambitious painting of my career in both scope and scale. It has demanded extensive research, Canada-wide travel and a larger studio space. I spent time in every province and territory to photograph landscapes and hunt down buildings that were developed with nature in mind. I walked on sea ice in Nunavut. I braved -35°C in Manitoba. I hiked mountains in Alberta, British Columbia, Newfoundland and Yukon. The multi-year process has been a labour of love and I couldn’t be more excited to share it in my first ever traveling exhibition!”

- Amy Shackleton

Special thanks to the Elaine Fleck Gallery for organizing private sector funding, and to the Ontario Arts Council for their support.